It looks right for the 1870-later mark. Looks like an Ovington Brothers retail mark, too?
[ATTACH] According to the book 'Distinctive Limoges Porcelain' by Waterbrook-Clyde.
Ownedbybear, would you mind to take a look at these? LINK, LINK. They have that same rectangle with dot mark. One has a diamond from 1867. I'm...
Would the flower(?) mark and S-with-line mark be artist or modeler marks?
It looks like the square with dot mark was for 1869.
It was made by T. J. Wheatley & Co., Cincinnati, OH.
According to the book 'Goldscheider' by Robert Dechant and Filipp Goldscheider the mark was used from 1987-1994 when a small Goldscheider factory...
The name is Carol Price, apparently from California. Here are two different listings showing the name more clearly, LINK, LINK.
I think it's the mark of Eugene Clauss, Paris, circa 1870's-1880's.
The mark reads Artistica Aretini. Info about them.
A boxed set of the fruit-shaped light covers.
Looks like Margaret Crellin. Another piece by her is listed here.
Chris addressed the mark here.
This site shows the impressed mark as Carl Teichert and the blue mark as Carl Thieme.
Chris' site states Galluba and Hofmann.
Galluba and Hofmann.
They are called a ramekin.
The caduceus mark looks like the one used by Powell, Bishop, and Stonier. LINK.
I thought it interesting that in 1866 Richard Binns stated he'd never found these marks on Worcester items. I wonder how Chaffers concluded these...
This page from Chaffers' 1866 edition of Marks and Monograms on Pottery and Porcelain states the mark was used by Caughley, late 1700's.
Separate names with a comma.
