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<p>[QUOTE="Taupou, post: 3007450, member: 45"]They are all painted greenware, "ceramics" as opposed to "pottery" in Acoma terminology. As such, the value is a fraction of what the value would be if they were traditionally made, by digging and preparing the clay, making the colored slips, and firing it traditionally. </p><p><br /></p><p>In this case, the potter buys the pot already made, from a mold, available in supply stores in Gallup or Albuquerque, and then paints it, fires it in an electric kiln, and sells it to tourists. The value is all in the painting, compared to being in the pottery itself. Which is not to say that it isn't well-done, and requires considerable skill to produce. </p><p><br /></p><p>But as far as considering resale value, the "fake Acoma" Mexican pot has negligible value, the other two decorative value only, as opposed to something a collector would be interested in.</p><p><br /></p><p>(And since this type of pottery isn't glazed, it's not waterproof, so exposing it to moisture will ruin it!)[/QUOTE]</p><p><br /></p>
[QUOTE="Taupou, post: 3007450, member: 45"]They are all painted greenware, "ceramics" as opposed to "pottery" in Acoma terminology. As such, the value is a fraction of what the value would be if they were traditionally made, by digging and preparing the clay, making the colored slips, and firing it traditionally. In this case, the potter buys the pot already made, from a mold, available in supply stores in Gallup or Albuquerque, and then paints it, fires it in an electric kiln, and sells it to tourists. The value is all in the painting, compared to being in the pottery itself. Which is not to say that it isn't well-done, and requires considerable skill to produce. But as far as considering resale value, the "fake Acoma" Mexican pot has negligible value, the other two decorative value only, as opposed to something a collector would be interested in. (And since this type of pottery isn't glazed, it's not waterproof, so exposing it to moisture will ruin it!)[/QUOTE]
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