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<p>[QUOTE="georgeingraham, post: 2359081, member: 6261"]I shared the Chinese illustration because could not find a Japanese reverse glass painter and work station.</p><p><br /></p><p>He is not Pith painting on paper, but reverse glass painting. There is nothing to suggest the background was "obviously copied" from a photograph..</p><p><br /></p><p>The connection between Japanese and Chinese is interesting when you read how the art style was brought to China by Jesuit missionaries, then spreading later to Japan.. It is a historical reference. I can see how it could be confusing. Sorry you do not like it..</p><p><br /></p><p>The artist could well have painted the ladies first and background a little later, or he could have had his little work station set up on the bridge. If the ladies were painted prior, he would have painted the background within a reasonably short period of time there after. The estimate for dating is just fine..[/QUOTE]</p><p><br /></p>
[QUOTE="georgeingraham, post: 2359081, member: 6261"]I shared the Chinese illustration because could not find a Japanese reverse glass painter and work station. He is not Pith painting on paper, but reverse glass painting. There is nothing to suggest the background was "obviously copied" from a photograph.. The connection between Japanese and Chinese is interesting when you read how the art style was brought to China by Jesuit missionaries, then spreading later to Japan.. It is a historical reference. I can see how it could be confusing. Sorry you do not like it.. The artist could well have painted the ladies first and background a little later, or he could have had his little work station set up on the bridge. If the ladies were painted prior, he would have painted the background within a reasonably short period of time there after. The estimate for dating is just fine..[/QUOTE]
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