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<p>[QUOTE="Ghopper1924, post: 3164315, member: 5170"]OK, so here's a photo to give you a general idea. The painting depicts a girl on a donkey with a dog next to them within a Suffolk, England landscape. Yes, the bottom third of the painting is very dark, although unexpected colors and detail are revealed under a bright light. A note on the back is handwritten in script and is very difficult to read. I'd say it's from the early 20th century, but that's a guess. The note is not signed. Oh, and the frame is recent:[ATTACH=full]295325[/ATTACH]</p><p>The note on the back, affixed to the mahogany board on which the work is painted, is written in script and says: </p><p><br /></p><p>"Thomas Gainsborough:</p><p><br /></p><p>Born 1724 - Died 1788</p><p><br /></p><p><u>View in Suffolk</u> on panel size 14 1/2 x 16 1/2</p><p><br /></p><p>This painting on panel was painted in the year 1754 & was presented to his nephew Dupont. This painting also passed into the hands of John Graham, Esqi of Shelwouelie (??), Glasgow, where it remained till after his death in 1886, & was sold then in London. </p><p><br /></p><p>The figure on the donkey is one of Gainsborough's daughters."</p><p><br /></p><p>[ATTACH=full]295327[/ATTACH] </p><p><br /></p><p>Blurry, but it wouldn't help even if it wasn't. It took me several minutes of close study to figure out the text.</p><p><br /></p><p>I've also got a letter written to my grandfather in Canada in 1969. A Dr. Shepherd of the National Gallery says it is unlikely to be a Gainsborough, and that it was probably done by Gainsborough Dupont (1754-1796). He goes on to say that it is authentic to the 18th century and of superior quality, and that distinguishing Dupont's work from Thomas Gainsborough's is difficult, then goes on to say that the "View of Suffolk" (the correct title) could be by Gainsborough, but that positive authentication should be made by a Gainsborough scholar. </p><p><br /></p><p>The painting was cleaned about 10 years ago. It was (and is) in excellent condition; darkness on the surface at that time was attributable to linseed oil, which the restorer said was consistent with an 18th century date.</p><p><br /></p><p>So there you go. Dr. Shepherd would not place a value on the work, but an "unofficial" one instead, based on it being by Gainsborough Dupont. He also says that there are many small early landscapes by Gainsborough that remain undiscovered.</p><p><br /></p><p>Thus my original question. Does anyone know of any Gainsborough experts? <img src="styles/default/xenforo/smilies/smile.png" class="mceSmilie" alt=":)" unselectable="on" /></p><p>[/QUOTE]</p><p><br /></p>
[QUOTE="Ghopper1924, post: 3164315, member: 5170"]OK, so here's a photo to give you a general idea. The painting depicts a girl on a donkey with a dog next to them within a Suffolk, England landscape. Yes, the bottom third of the painting is very dark, although unexpected colors and detail are revealed under a bright light. A note on the back is handwritten in script and is very difficult to read. I'd say it's from the early 20th century, but that's a guess. The note is not signed. Oh, and the frame is recent:[ATTACH=full]295325[/ATTACH] The note on the back, affixed to the mahogany board on which the work is painted, is written in script and says: "Thomas Gainsborough: Born 1724 - Died 1788 [U]View in Suffolk[/U] on panel size 14 1/2 x 16 1/2 This painting on panel was painted in the year 1754 & was presented to his nephew Dupont. This painting also passed into the hands of John Graham, Esqi of Shelwouelie (??), Glasgow, where it remained till after his death in 1886, & was sold then in London. The figure on the donkey is one of Gainsborough's daughters." [ATTACH=full]295327[/ATTACH] Blurry, but it wouldn't help even if it wasn't. It took me several minutes of close study to figure out the text. I've also got a letter written to my grandfather in Canada in 1969. A Dr. Shepherd of the National Gallery says it is unlikely to be a Gainsborough, and that it was probably done by Gainsborough Dupont (1754-1796). He goes on to say that it is authentic to the 18th century and of superior quality, and that distinguishing Dupont's work from Thomas Gainsborough's is difficult, then goes on to say that the "View of Suffolk" (the correct title) could be by Gainsborough, but that positive authentication should be made by a Gainsborough scholar. The painting was cleaned about 10 years ago. It was (and is) in excellent condition; darkness on the surface at that time was attributable to linseed oil, which the restorer said was consistent with an 18th century date. So there you go. Dr. Shepherd would not place a value on the work, but an "unofficial" one instead, based on it being by Gainsborough Dupont. He also says that there are many small early landscapes by Gainsborough that remain undiscovered. Thus my original question. Does anyone know of any Gainsborough experts? :) [U][/U][/QUOTE]
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