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<p>[QUOTE=&quot;Debora, post: 4134424, member: 1476&quot;]You&#039;ve found this resource?</p><p><br /></p><p><a href="https://www.collectorsweekly.com/articles/velvet-underdogs-in-praise-of-the-paintings-the-art-world-loves-to-hate/" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://www.collectorsweekly.com/articles/velvet-underdogs-in-praise-of-the-paintings-the-art-world-loves-to-hate/" rel="nofollow">https://www.collectorsweekly.com/articles/velvet-underdogs-in-praise-of-the-paintings-the-art-world-loves-to-hate/</a></p><p><br /></p><p>1970s Elvis produced at the end of the medium&#039;s popularity.&nbsp; I think the reason it looks so incohesive to the eye is this.&nbsp; The work of more than one person.</p><p><br /></p><p><i>“The paintings would slide along these boards that the factory owner had constructed,” Eliason says. “One person would paint the hair, the next person would do the collar, and the next person would do the rhinestones. The last person would do Elvis’s profile, and then it’d be done.&quot; </i></p><p><br /></p><p>Debora[/QUOTE]</p><p><br /></p>

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