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<p>[QUOTE="Bronwen, post: 10398786, member: 5833"]Oooh. Thanks for sharing all these pretties. </p><p><br /></p><p>Think your little green flower would be a forget-me-not. A couple of my Hours cameos, although in conventional sardonyx, not green, also have a satin finish background layer. Guessing a distinctive practice of certain workshop(s).</p><p><br /></p><p>Agree the amazing Chinese piece uses some type of cowrie shell. Flower looks more like a variety of poppy to me, rather than a peony, but I'm no botanist.</p><p><br /></p><p>The labradorite: First off, special commendation for photography of a very difficult subject. It's a beautiful specimen of the mineral. The thickness would be prudent given that labradorite has 'perfect cleavage', so highly vulnerable to fracture. There's a touch of 'The Fair Circassian' to her, I think. Have seen way more pieces attributed to Schmidt than known to be by him. His real specialty seems to have been in finding the potential in iridescent stones in matrix.</p><p><br /></p><p>Tignani was more variable in the way he signed his work than any other engraver I have encountered. Have wondered whether incisore/graveur/engraver reflects the language of the client commissioning the work. He also used Roma/Rome/Romano. If we did not know the date, she could easily be a little girl of our own time, couldn't she? Don't think I would have noticed the loss to the edge of the ear if you hadn't pointed it out.</p><p><br /></p><p>Is the blue & white piece definitely Wedgwood? I have not seen this image of two fearful, fleeing putti before. It reminds me a bit of cameos based on the painting '<a href="https://www.metmuseum.org/art/collection/search/435997" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://www.metmuseum.org/art/collection/search/435997" rel="nofollow">The Storm</a>', except the figures do not look so happy. Reflections in the photos make it look as though it's under glass. Appears to have findings for a variety of uses. Maybe someone proud of her long neck & proudly held chin thought she could manage it as the clasp on a 12 strand pearl choker? (Or hiding a double chin?) Clearly it was a brooch at some time. Certainly large enough for a belt or sash buckle. I find pieces that bear signs of the preferences & remodeling efforts of previous owners fascinating.[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 10398786, member: 5833"]Oooh. Thanks for sharing all these pretties. Think your little green flower would be a forget-me-not. A couple of my Hours cameos, although in conventional sardonyx, not green, also have a satin finish background layer. Guessing a distinctive practice of certain workshop(s). Agree the amazing Chinese piece uses some type of cowrie shell. Flower looks more like a variety of poppy to me, rather than a peony, but I'm no botanist. The labradorite: First off, special commendation for photography of a very difficult subject. It's a beautiful specimen of the mineral. The thickness would be prudent given that labradorite has 'perfect cleavage', so highly vulnerable to fracture. There's a touch of 'The Fair Circassian' to her, I think. Have seen way more pieces attributed to Schmidt than known to be by him. His real specialty seems to have been in finding the potential in iridescent stones in matrix. Tignani was more variable in the way he signed his work than any other engraver I have encountered. Have wondered whether incisore/graveur/engraver reflects the language of the client commissioning the work. He also used Roma/Rome/Romano. If we did not know the date, she could easily be a little girl of our own time, couldn't she? Don't think I would have noticed the loss to the edge of the ear if you hadn't pointed it out. Is the blue & white piece definitely Wedgwood? I have not seen this image of two fearful, fleeing putti before. It reminds me a bit of cameos based on the painting '[URL='https://www.metmuseum.org/art/collection/search/435997']The Storm[/URL]', except the figures do not look so happy. Reflections in the photos make it look as though it's under glass. Appears to have findings for a variety of uses. Maybe someone proud of her long neck & proudly held chin thought she could manage it as the clasp on a 12 strand pearl choker? (Or hiding a double chin?) Clearly it was a brooch at some time. Certainly large enough for a belt or sash buckle. I find pieces that bear signs of the preferences & remodeling efforts of previous owners fascinating.[/QUOTE]
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