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<p>[QUOTE="kyratango, post: 485664, member: 5006"]I read the article in your link about </p><p><font size="6"><b>What I’ve learned: Sara Friedlander, Head of Post-War and Contemporary Art</b></font></p><p><b>One of my biggest challenges — logistically, commercially, curatorially</b> — was the sale of <i><a href="https://www.christies.com/lotfinder/Lot/kader-attia-b-1970-flying-rats-4871351-details.aspx" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://www.christies.com/lotfinder/Lot/kader-attia-b-1970-flying-rats-4871351-details.aspx" rel="nofollow">Flying Rats</a></i>, by the French-Algerian artist <a href="http://artist.christies.com/Kader-Attia-10241.aspx" target="_blank" class="externalLink ProxyLink" data-proxy-href="http://artist.christies.com/Kader-Attia-10241.aspx" rel="nofollow">Kader Attia</a>. It was the first big project that I worked on. The installation consists of a cage full of pigeons along with figures of children made out of birdseed. Over the course of a week the pigeons ate the children. It was wild, and a fascinating exercise in what art can do. Ultimately we were selling a concept, because the purchaser didn’t receive the pigeons or the cage, just a certificate.</p><p><a href="https://www.christies.com/lotfinder/Lot/kader-attia-b-1970-flying-rats-4871351-details.aspx" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://www.christies.com/lotfinder/Lot/kader-attia-b-1970-flying-rats-4871351-details.aspx" rel="nofollow">https://www.christies.com/lotfinder/Lot/kader-attia-b-1970-flying-rats-4871351-details.aspx</a></p><p><img src="https://cdn.radiofrance.fr/s3/cruiser-production/2016/11/3808a8bf-0e1c-4f2c-8639-c7f6d4edf993/838_000_was767703.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p>The concept was interesting... Pigeons feedind (and pooping...) on children<img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie91" alt=":troll:" unselectable="on" unselectable="on" /><img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie23" alt=":blackalien:" unselectable="on" unselectable="on" />BUT...JUST A CERTIFICATE BOUGHT FOR 90 000$<img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie98" alt=":wideyed:" unselectable="on" unselectable="on" /><img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie45" alt=":facepalm:" unselectable="on" unselectable="on" /><img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie39" alt=":dead:" unselectable="on" unselectable="on" />[/QUOTE]</p><p><br /></p>
[QUOTE="kyratango, post: 485664, member: 5006"]I read the article in your link about [SIZE=6][B]What I’ve learned: Sara Friedlander, Head of Post-War and Contemporary Art[/B][/SIZE] [B]One of my biggest challenges — logistically, commercially, curatorially[/B] — was the sale of [I][URL='https://www.christies.com/lotfinder/Lot/kader-attia-b-1970-flying-rats-4871351-details.aspx']Flying Rats[/URL][/I], by the French-Algerian artist [URL='http://artist.christies.com/Kader-Attia-10241.aspx']Kader Attia[/URL]. It was the first big project that I worked on. The installation consists of a cage full of pigeons along with figures of children made out of birdseed. Over the course of a week the pigeons ate the children. It was wild, and a fascinating exercise in what art can do. Ultimately we were selling a concept, because the purchaser didn’t receive the pigeons or the cage, just a certificate. [URL]https://www.christies.com/lotfinder/Lot/kader-attia-b-1970-flying-rats-4871351-details.aspx[/URL] [IMG]https://cdn.radiofrance.fr/s3/cruiser-production/2016/11/3808a8bf-0e1c-4f2c-8639-c7f6d4edf993/838_000_was767703.jpg[/IMG] The concept was interesting... Pigeons feedind (and pooping...) on children:troll::blackalien:BUT...JUST A CERTIFICATE BOUGHT FOR 90 000$:wideyed::facepalm::dead:[/QUOTE]
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