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<p>[QUOTE="moreotherstuff, post: 4339384, member: 56"]I've watched quite a few of the Baumgartner videos. There are some less than enthusiastic views of his techniques out there as well. They are fun to watch. I have not seen him work on a piece with heavy impasto. I also wonder how he would handle a piece with a multitude of fine glazes.</p><p><br /></p><p>There was a story years ago about a restoration of a Van Gogh. It was a proper and thorough cleaning, but the picture didn't look "right" when it was done. A specialist went in and added tinted varnish to the deepest recesses in the impasto, and that was estimated to have added significantly to the value. People have expectations when looking at old art.</p><p><br /></p><p>It always surprises me, in art museums, the way all those old masterpieces look to be in immaculate condition, but the truth is that they've all had tons of work done on them over time.[/QUOTE]</p><p><br /></p>
[QUOTE="moreotherstuff, post: 4339384, member: 56"]I've watched quite a few of the Baumgartner videos. There are some less than enthusiastic views of his techniques out there as well. They are fun to watch. I have not seen him work on a piece with heavy impasto. I also wonder how he would handle a piece with a multitude of fine glazes. There was a story years ago about a restoration of a Van Gogh. It was a proper and thorough cleaning, but the picture didn't look "right" when it was done. A specialist went in and added tinted varnish to the deepest recesses in the impasto, and that was estimated to have added significantly to the value. People have expectations when looking at old art. It always surprises me, in art museums, the way all those old masterpieces look to be in immaculate condition, but the truth is that they've all had tons of work done on them over time.[/QUOTE]
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