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Cut glass sugar? urn? sauce? with silver accents - many photos
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<p>[QUOTE="Bakersgma, post: 80839, member: 59"]Well, you know it's sterling and George the Third looks right with the pigtail and his nose in the air. I don't think the partial maker's mark was stamped over the City Mark - which when not present is assumed to be London (if I recall a remark to that effect made by AF a while back.) So I ran through the London makers that start with I, have a big dot centrally located between the I and one other letter and have a rectangular punch shape (as opposed to something fancier.) You would not believe how many that still left.</p><p><br /></p><p>The sterling and rough age are the most important things to know. The maker is probably irrelevant - some blokes in a shed, as AF would say.</p><p><br /></p><p>That's all I can do at this relatively late hour. Perhaps Ladybranch can work some magic with the image of the maker's mark that could provide a clue as to what it was stamped on top of.[/QUOTE]</p><p><br /></p>
[QUOTE="Bakersgma, post: 80839, member: 59"]Well, you know it's sterling and George the Third looks right with the pigtail and his nose in the air. I don't think the partial maker's mark was stamped over the City Mark - which when not present is assumed to be London (if I recall a remark to that effect made by AF a while back.) So I ran through the London makers that start with I, have a big dot centrally located between the I and one other letter and have a rectangular punch shape (as opposed to something fancier.) You would not believe how many that still left. The sterling and rough age are the most important things to know. The maker is probably irrelevant - some blokes in a shed, as AF would say. That's all I can do at this relatively late hour. Perhaps Ladybranch can work some magic with the image of the maker's mark that could provide a clue as to what it was stamped on top of.[/QUOTE]
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Cut glass sugar? urn? sauce? with silver accents - many photos
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