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<p>[QUOTE="Bronwen, post: 10342028, member: 5833"]The Lapatin paper details known provenance. I doubt Michelini would have had the opportunity to see the private collections, but Tassie got access to an immense amount of material over the years & his impressions, as well as those of others, were widely available.</p><p><br /></p><p>Just checked. Tassie 3362.</p><p><br /></p><p>Edit. It may also be the case that the impression Michelini saw was not sharp enough to pick up the very slender staff/scepter she has over her shoulder so he left it out. Something like that seems to have happened with the James Ronca cameo that the V&A had identified as Psyche. I have observed that impressions of Luigi Pichler's Iris rarely completely pick up the caduceus he placed in the field below her that serves to ID her. Ronca clearly worked from such a faulty impression so that, even if he knew it was 'the Rainbow', others did not.[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 10342028, member: 5833"]The Lapatin paper details known provenance. I doubt Michelini would have had the opportunity to see the private collections, but Tassie got access to an immense amount of material over the years & his impressions, as well as those of others, were widely available. Just checked. Tassie 3362. Edit. It may also be the case that the impression Michelini saw was not sharp enough to pick up the very slender staff/scepter she has over her shoulder so he left it out. Something like that seems to have happened with the James Ronca cameo that the V&A had identified as Psyche. I have observed that impressions of Luigi Pichler's Iris rarely completely pick up the caduceus he placed in the field below her that serves to ID her. Ronca clearly worked from such a faulty impression so that, even if he knew it was 'the Rainbow', others did not.[/QUOTE]
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