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Help w/Identifying Antique Oil on Canvas Painting
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<p>[QUOTE="bosko69, post: 11450742, member: 16283"]I do agree with Drew, that the piece is an enchanting relic as is-magic in it's ruin.</p><p>Here's a bit about another Tonalist's techniques,the great Albert Pinkham Ryder (a real visionary).</p><p><b>"</b>Albert Pinkham Ryder famously incorporated unconventional,unstable materials, including bootblack, into his paintings.</p><p>Ryder's experimental & unorthodox methods, which also involved layering paint, resin, varnish, candle wax, and bitumen, were intended to achieve a desired luminosity and depth of color. He often worked on a single painting for a decade or more using a wet-on-wet technique, applying new layers before the previous ones had fully dried.</p><p>...his disregard for sound technical procedures meant that many of his paintings have deteriorated over time, developing fissures and cracks, and <u>sometimes completely disintegrating</u>."</p><p><br /></p><p>[ATTACH=full]543938[/ATTACH] [ATTACH=full]543939[/ATTACH][/QUOTE]</p><p><br /></p>
[QUOTE="bosko69, post: 11450742, member: 16283"]I do agree with Drew, that the piece is an enchanting relic as is-magic in it's ruin. Here's a bit about another Tonalist's techniques,the great Albert Pinkham Ryder (a real visionary). [B]"[/B]Albert Pinkham Ryder famously incorporated unconventional,unstable materials, including bootblack, into his paintings. Ryder's experimental & unorthodox methods, which also involved layering paint, resin, varnish, candle wax, and bitumen, were intended to achieve a desired luminosity and depth of color. He often worked on a single painting for a decade or more using a wet-on-wet technique, applying new layers before the previous ones had fully dried. ...his disregard for sound technical procedures meant that many of his paintings have deteriorated over time, developing fissures and cracks, and [U]sometimes completely disintegrating[/U]." [ATTACH=full]543938[/ATTACH] [ATTACH=full]543939[/ATTACH][/QUOTE]
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