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<p>[QUOTE="JayBee, post: 2507607, member: 9259"]You are probably right when you say that even high quality inkjet printers leave a pattern under magnification. I don't know of a machine name that may help you in your quest, sorry.</p><p>Woodblock printing is totally different from inkjet printing. A famous Chinese artist, QI Baushi, once was presented with his original painting and a woodblock print copy and could hardly tell which was which.</p><p>The coloban copies I have also do not show any dotted patterns, but I confess I never looked at them under magnification. Next time I unbox them I'll think of checking that out.</p><p>Now, my turn to ask, if you can spare a minute: what inkjets do you use for highest quality art/photo printing/reproductions? Eleven color/cartridge Epson printers? What models?</p><p>With what papers? An increasing number of artists these days are using inkjets rather than serigraphy, photo printing, etc., and some produce amazing results, yet, they lack body. As a printer, have you ever had people comment on this detail, and is there an alternative for it? Not an issue with photography, but for other artwork, it does make a big difference, as it results in the work feeling flat.[/QUOTE]</p><p><br /></p>
[QUOTE="JayBee, post: 2507607, member: 9259"]You are probably right when you say that even high quality inkjet printers leave a pattern under magnification. I don't know of a machine name that may help you in your quest, sorry. Woodblock printing is totally different from inkjet printing. A famous Chinese artist, QI Baushi, once was presented with his original painting and a woodblock print copy and could hardly tell which was which. The coloban copies I have also do not show any dotted patterns, but I confess I never looked at them under magnification. Next time I unbox them I'll think of checking that out. Now, my turn to ask, if you can spare a minute: what inkjets do you use for highest quality art/photo printing/reproductions? Eleven color/cartridge Epson printers? What models? With what papers? An increasing number of artists these days are using inkjets rather than serigraphy, photo printing, etc., and some produce amazing results, yet, they lack body. As a printer, have you ever had people comment on this detail, and is there an alternative for it? Not an issue with photography, but for other artwork, it does make a big difference, as it results in the work feeling flat.[/QUOTE]
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