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<p>[QUOTE="bosko69, post: 12731015, member: 16283"]'Great Luck' along with your keen eye and endless hard work (and cardiac health !)-were you biking ?</p><p>This pole to my amateur eyes has a unique form (or 'technique' ?). It reminds me style-wise of an Oceanic / Tiki carving in it's directness.</p><p>At first I thought the piece was pretty simplistic,then I read this abt John's distinctive technique- </p><p>"<i>Although unpainted artworks have existed on the Northwest Coast for centuries, John’s chip-carving style often recalls tramp art more than other Northwest Coast carving methods and represents a distinct departure from customary Nuu-chah-nulth carving.</i>"</p><p>John's directness is what gives his work such power- ie: he uses less smoothing/shaping strokes (chip carving). It's what makes him a unique artist.</p><p>PS- Whether he lived to be "<i>-art galleries estimate his age at death between111 and 114</i>" who knows ?</p><p>[ATTACH=full]556365[/ATTACH][/QUOTE]</p><p><br /></p>
[QUOTE="bosko69, post: 12731015, member: 16283"]'Great Luck' along with your keen eye and endless hard work (and cardiac health !)-were you biking ? This pole to my amateur eyes has a unique form (or 'technique' ?). It reminds me style-wise of an Oceanic / Tiki carving in it's directness. At first I thought the piece was pretty simplistic,then I read this abt John's distinctive technique- "[I]Although unpainted artworks have existed on the Northwest Coast for centuries, John’s chip-carving style often recalls tramp art more than other Northwest Coast carving methods and represents a distinct departure from customary Nuu-chah-nulth carving.[/I]" John's directness is what gives his work such power- ie: he uses less smoothing/shaping strokes (chip carving). It's what makes him a unique artist. PS- Whether he lived to be "[I]-art galleries estimate his age at death between111 and 114[/I]" who knows ? [ATTACH=full]556365[/ATTACH][/QUOTE]
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