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<p>[QUOTE=&quot;Ester, post: 12328072, member: 103905&quot;]Dear membres,</p><p>However, I would like to propose a precise technical question to the forum regarding the divine gaze. This gaze literally follows me every time I walk around the room, day and night. If these pieces were indeed industrial prints, postcards, or simple photographic reproductions, would this &quot;Mona Lisa effect&quot; (the gaze tracking the viewer) still function in the exact same way? Can a mechanical print replicate this optical illusion with the same vivid intensity on aFurthermore, looking at the Child&#039;s head against the light, I notice a physical stratification of layers: the amber-yellow halo appears to be painted underneath, and the fine, dark locks of hair are applied on top. In a flat industrial photograph or print, all pigments are applied on a single layer at the exact same millisecond. Here, the translucent amber resin filters from behind the dark strokes of the hair.Since the handcrafted back lacks any factory stamps, serial numbers, or trademarks typical of 19th-century industrial productions, I invite you to analyze the relationship between this layered execution, the gaze, and the photos.Best regards.[/QUOTE]</p><p><br /></p>

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