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<p>[QUOTE="moreotherstuff, post: 164989, member: 56"]That's not the way I'm reading it. I've found reference not only to gallery samples, but also to gifted prints. Those would be original. And why go through the effort of generating a reproduction when you can take a sample of the print run that's going ahead anyhow and mark it not for sale? If a gallery owner wants to show something to a prospective buyer, that buyer will want to see what they can expect to purchase - not a reproduction of it. The question becomes: if hors commerce prints are out there and original, what happens to them after the production run is complete? Should it have been destroyed?</p><p><br /></p><p>It's a bit like copies of a new book being distributed to critics for preview before the commercial run hits the shelves. Those books are clearly marked "preview copy" and "not for sale" but they end up on the market anyhow.[/QUOTE]</p><p><br /></p>
[QUOTE="moreotherstuff, post: 164989, member: 56"]That's not the way I'm reading it. I've found reference not only to gallery samples, but also to gifted prints. Those would be original. And why go through the effort of generating a reproduction when you can take a sample of the print run that's going ahead anyhow and mark it not for sale? If a gallery owner wants to show something to a prospective buyer, that buyer will want to see what they can expect to purchase - not a reproduction of it. The question becomes: if hors commerce prints are out there and original, what happens to them after the production run is complete? Should it have been destroyed? It's a bit like copies of a new book being distributed to critics for preview before the commercial run hits the shelves. Those books are clearly marked "preview copy" and "not for sale" but they end up on the market anyhow.[/QUOTE]
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