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<p>[QUOTE="blooey, post: 1090379, member: 12007"]I took that to mean that it was obviously the "offering to peace", but the MOMA had given it that title, as that plaque was sourced from their collection.</p><p><br /></p><p>That late 19thc version in the auction plaque in the auction <i>could</i> have been incised by one of the workers at the factory - a common practice in Britain, personalizing factory productions for people on the production line. Conjecture of course, but a reasonable assumption imho.</p><p><br /></p><p>I find it interesting that the copper is modeled after the earlier version of the frieze.</p><p>Questions remain ...When did Wedgwood change over production to the later version? Did the coppersmith have access to the early version?</p><p><br /></p><p>I suppose whether the maker had access to an actual antique plaque or worked from the Josiah Wedgwood pattern book we shall never know. (Unless another copper shows up perhaps?)</p><p><br /></p><p>A fun journey nevertheless![/QUOTE]</p><p><br /></p>
[QUOTE="blooey, post: 1090379, member: 12007"]I took that to mean that it was obviously the "offering to peace", but the MOMA had given it that title, as that plaque was sourced from their collection. That late 19thc version in the auction plaque in the auction [I]could[/I] have been incised by one of the workers at the factory - a common practice in Britain, personalizing factory productions for people on the production line. Conjecture of course, but a reasonable assumption imho. I find it interesting that the copper is modeled after the earlier version of the frieze. Questions remain ...When did Wedgwood change over production to the later version? Did the coppersmith have access to the early version? I suppose whether the maker had access to an actual antique plaque or worked from the Josiah Wedgwood pattern book we shall never know. (Unless another copper shows up perhaps?) A fun journey nevertheless![/QUOTE]
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