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Reverse painting of windmill at Zaandam
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<p>[QUOTE="Zinnie, post: 436944, member: 9303"]Hi Any Jewelry - thank you so much for all that! A lot I had already viewed and captured screen shots of (to study more). The Monet you added especially looked promising and he did another painting of it from the opposite side. The black and white photo is very helpful - I think it's the same windmill, just not painted from reality perhaps.</p><p><br /></p><p>The thought did occur to me after posting that it was more likely to have been created from memory (or from a darkish B&W photo?) since parts of it just didn't match up with what I was seeing, so that fits that someone in Germany may have made it who used to live in Holland? Or perhaps made it in the states after moving here? I'm in the midwest, lots of Germans and Swedish here. </p><p><br /></p><p>I also get the feeling that it was a first attempt at painting on glass but by someone who had some painting skills. You have to figure out what needs painting first, not last, so I'm wondering if they started with the dark blue, saw it was too dark but couldn't remove it without making a mess of the other still-wet paint. The gap between the tree and the windmill points to that. The darker clouds at the top are mysterious though - maybe more psychological than a mistake. ?? Gives it a very personal feel though.</p><p><br /></p><p>Even so the painter did great on the water shimmers and textures of everything else. The boats - these were 'barges'? - remind me of Vincent's boats. I hold no illusion of it being his but like to believe it's in the spirit of his work. <img src="styles/default/xenforo/smilies/smile.png" class="mceSmilie" alt=":)" unselectable="on" /> I'll peruse the magazine today! Very fun, yes! Thanks again. <img src="styles/default/xenforo/smilies/smile.png" class="mceSmilie" alt=":)" unselectable="on" /> </p><p><br /></p><p>Hi and thanks to afantiques also - it looks too free-form imo to be a paint by number but thanks for that input. Yes, the glass is flat, and heavy, not a thin 'framing' glass - or maybe glass was more thick back then? So not a traditional reverse painting but using whatever what was available? Makes it even more personally unique then, to me. <img src="styles/default/xenforo/smilies/smile.png" class="mceSmilie" alt=":)" unselectable="on" /> Thanks again![/QUOTE]</p><p><br /></p>
[QUOTE="Zinnie, post: 436944, member: 9303"]Hi Any Jewelry - thank you so much for all that! A lot I had already viewed and captured screen shots of (to study more). The Monet you added especially looked promising and he did another painting of it from the opposite side. The black and white photo is very helpful - I think it's the same windmill, just not painted from reality perhaps. The thought did occur to me after posting that it was more likely to have been created from memory (or from a darkish B&W photo?) since parts of it just didn't match up with what I was seeing, so that fits that someone in Germany may have made it who used to live in Holland? Or perhaps made it in the states after moving here? I'm in the midwest, lots of Germans and Swedish here. I also get the feeling that it was a first attempt at painting on glass but by someone who had some painting skills. You have to figure out what needs painting first, not last, so I'm wondering if they started with the dark blue, saw it was too dark but couldn't remove it without making a mess of the other still-wet paint. The gap between the tree and the windmill points to that. The darker clouds at the top are mysterious though - maybe more psychological than a mistake. ?? Gives it a very personal feel though. Even so the painter did great on the water shimmers and textures of everything else. The boats - these were 'barges'? - remind me of Vincent's boats. I hold no illusion of it being his but like to believe it's in the spirit of his work. :) I'll peruse the magazine today! Very fun, yes! Thanks again. :) Hi and thanks to afantiques also - it looks too free-form imo to be a paint by number but thanks for that input. Yes, the glass is flat, and heavy, not a thin 'framing' glass - or maybe glass was more thick back then? So not a traditional reverse painting but using whatever what was available? Makes it even more personally unique then, to me. :) Thanks again![/QUOTE]
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