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<p>[QUOTE=&quot;2manybooks, post: 9505092, member: 8267&quot;]How large is the flag? Do you know what fibers it is made of?</p><p><br /></p><p>I would recommend avoiding any type of adhesive or tape. The ageing properties of many adhesives can be unpredictable, and they can be more difficult to reverse in the future. </p><p><br /></p><p>A &quot;pressure mount&quot;, as described in the link Kronos provided, might be a solution for a smallish flag. It becomes more difficult to maintain even pressure over a large area. The effectiveness of a pressure mount may be assisted with some stitching. There is also the option of incorporating a &quot;friction&quot; component by covering the padded backing board with a (archival quality) napped fabric with some &quot;tooth&quot; such as a velvet or flannel, which helps to keep the textile from shifting.</p><p><br /></p><p>There are risks to encasing the textile in direct contact with glass or plexiglas, if fluctuations in relative humidity may occur. One of the primary reasons for using window mats on framed prints is to provide safe breathing space between the artwork and the glass, and the same concerns apply to framing textiles.</p><p><br /></p><p>If the textile is in good condition and not fragile, stitching may be the safest option. It is a known technique, and easily reversible if necessary. Textile conservators are experienced in inserting their stitches between the threads of the original textile (sometimes under magnification), to avoid creating any new holes.[/QUOTE]</p><p><br /></p>

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