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<p>[QUOTE="scoutshouse, post: 592619, member: 267"]Probably a regular gouache, but I wonder if this might be a pochoir? Check to see if there's evidence of stenciling?</p><p><br /></p><p><a href="https://discover.goldmarkart.com/brief-history-pochoir/" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://discover.goldmarkart.com/brief-history-pochoir/" rel="nofollow">In Focus | Elegance and Extravagance: A Brief History of Pochoir</a></p><p><br /></p><p><i>stencils were then handed over to the coloristes, expert craftsmen who would apply watercolour ink or gouache through each layer with a variety of soft and coarse brushes. Using a range of pressures alongside the countless techniques available to them, from daubing to swiping, spraying, and spattering, almost any application and gradation of paint could be imitated with near faultless fidelity. As the brushed ink would settle briefly against the sides of the stencil, each pochoir print would also be left with a slightly raised, textured print surface, discernible to the eye and to the touch.</i>[/QUOTE]</p><p><br /></p>
[QUOTE="scoutshouse, post: 592619, member: 267"]Probably a regular gouache, but I wonder if this might be a pochoir? Check to see if there's evidence of stenciling? [URL='https://discover.goldmarkart.com/brief-history-pochoir/']In Focus | Elegance and Extravagance: A Brief History of Pochoir[/URL] [I]stencils were then handed over to the coloristes, expert craftsmen who would apply watercolour ink or gouache through each layer with a variety of soft and coarse brushes. Using a range of pressures alongside the countless techniques available to them, from daubing to swiping, spraying, and spattering, almost any application and gradation of paint could be imitated with near faultless fidelity. As the brushed ink would settle briefly against the sides of the stencil, each pochoir print would also be left with a slightly raised, textured print surface, discernible to the eye and to the touch.[/I][/QUOTE]
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