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Wax seal— possibly Greek?
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<p>[QUOTE="Bronwen, post: 2713241, member: 5833"][USER=16501]@Van_Poperin[/USER] Does your sulfur have a number written by hand on the collar?</p><p><br /></p><p>The go-to source:</p><p><br /></p><p><a href="https://www.beazley.ox.ac.uk/gems/tassie/default.htm" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://www.beazley.ox.ac.uk/gems/tassie/default.htm" rel="nofollow">https://www.beazley.ox.ac.uk/gems/tassie/default.htm</a></p><p><br /></p><p>The impressions are organized in broad time periods & then subjects within those periods. It's an old & awkward site to work with, you can't go back & forth very freely. You might start viewing plates from the beginning, Gem #1 & switching to the text if you see one you would like to know more about. I usually select 4 for the Image Size; 3 is too small for me & you can enlarge just by clicking on the plate.</p><p><br /></p><p>Gem 507 reminds me of yours. There's a glitch & you have to ask for a different number - 500 works - to see the associated text for that one.</p><p><br /></p><p>ΙΑΩ is common on magical gems, often written in an older style with the Ω written like the lower case ω, only larger. You'll notice that almost none of the letters on yours are written with curved lines. EUAIEAEIOEOAE is EVAIHAHIWHWAE. (If this is a discrete string, if I have it correctly where it starts & ends, it may matter that there are 13 letters.) It's in archaic Greek, which is really out of my wheelhouse.</p><p><br /></p><p>A note on Grand Tour. The Grand Tour was properly the tour of Europe a well-cultivated young man of the 18th century would take with his tutor & perhaps a few other students to finish off their education. We use it very loosely now. By the second half of the 19th century it would be just as accurate to call them Cook's Tours, the travelers & their purpose quite changed. James Tassie was by far the biggest producer of these gem impressions. Most of them were bought in Britain by Britons, who collected them avidly by the hundreds & even thousands. I do not know whether ones made in Italy tended to stay in Italy or frequently came back to Britain as souvenirs, but there is no reason to assume without evidence that a loose piece like this one was acquired on a Grand Tour.[/QUOTE]</p><p><br /></p>
[QUOTE="Bronwen, post: 2713241, member: 5833"][USER=16501]@Van_Poperin[/USER] Does your sulfur have a number written by hand on the collar? The go-to source: [URL]https://www.beazley.ox.ac.uk/gems/tassie/default.htm[/URL] The impressions are organized in broad time periods & then subjects within those periods. It's an old & awkward site to work with, you can't go back & forth very freely. You might start viewing plates from the beginning, Gem #1 & switching to the text if you see one you would like to know more about. I usually select 4 for the Image Size; 3 is too small for me & you can enlarge just by clicking on the plate. Gem 507 reminds me of yours. There's a glitch & you have to ask for a different number - 500 works - to see the associated text for that one. ΙΑΩ is common on magical gems, often written in an older style with the Ω written like the lower case ω, only larger. You'll notice that almost none of the letters on yours are written with curved lines. EUAIEAEIOEOAE is EVAIHAHIWHWAE. (If this is a discrete string, if I have it correctly where it starts & ends, it may matter that there are 13 letters.) It's in archaic Greek, which is really out of my wheelhouse. A note on Grand Tour. The Grand Tour was properly the tour of Europe a well-cultivated young man of the 18th century would take with his tutor & perhaps a few other students to finish off their education. We use it very loosely now. By the second half of the 19th century it would be just as accurate to call them Cook's Tours, the travelers & their purpose quite changed. James Tassie was by far the biggest producer of these gem impressions. Most of them were bought in Britain by Britons, who collected them avidly by the hundreds & even thousands. I do not know whether ones made in Italy tended to stay in Italy or frequently came back to Britain as souvenirs, but there is no reason to assume without evidence that a loose piece like this one was acquired on a Grand Tour.[/QUOTE]
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